Indie musician Neela Devaki has built a career writing the songs she wants to hear but nobody else is singing. When one of Neela’s songs is covered by internet artist RUK-MINI and becomes a viral sensation, the two musicians meet and a transformative friendship begins. But before long, the systemic pressures that pit women against one another begin to bear down on Neela and RUK-MINI, stirring up self-doubt and jealousy. With a single tweet, their friendship implodes, a career is destroyed, and the two women find themselves at the center of an internet firestorm. Celebrated multidisciplinary artist Vivek Shraya’s second novel, The Subtweet is a no-holds-barred examination of the music industry and making art in the modern era, shining a light on the promise and peril of being seen.

Baldwin's haunting and controversial second novel is his most sustained treatment of sexuality, and a classic of gay literature. In 1950s Paris swarming with expatriates and characterized by dangerous liaisons and hidden violence, an American finds himself unable to repress his impulses, despite his determination to live the conventional life he envisions for himself. After meeting and proposing to a young woman, he falls into a lengthy affair with an Italian bartender and is confounded and tortured by his sexual identity as he oscillates between the two. Examining the mystery of love and passion in an intensely imagined narrative, Baldwin creates a moving and complex story of death and desire that is revelatory in its insight.

Presenting the essential writings of black lesbian poet and feminist writer Audre Lorde, Sister Outsider celebrates an influential voice in twentieth-century literature. In this charged collection of fifteen essays and speeches, Lorde takes on sexism, racism, ageism, homophobia, and class, and propounds social difference as a vehicle for action and change. Her prose is incisive, unflinching, and lyrical, reflecting struggle but ultimately offering messages of hope. Lorde’s philosophies resonate more than twenty years after they were first published. These landmark writings are, in Lorde’s own words, a call to “never close our eyes to the terror, to the chaos which is Black which is creative which is female which is dark which is rejected which is messy.”

“[Lorde’s] works will be important to those truly interested in growing up sensitive, intelligent, and aware.” New York Times 

This poetry collections focuses on a hybridized Indigiqueer Trickster character named Zoa who brings together the organic (the protozoan) and the technologic (the binaric) in order to re-beautify and re-member queer Indigeneity. This Trickster is a Two-Spirit / Indigiqueer invention that resurges in the apocalypse to haunt, atrophy, and to reclaim. Following oral tradition (à la Iktomi, Nanaboozho, Wovoka), Zoa infects, invades, and becomes a virus to canonical and popular works in order to re-centre Two-Spirit livelihoods. They dazzlingly and fiercely take on the likes of Edmund Spenser, Shakespeare, Charles Dickens, and John Milton while also not forgetting contemporary pop culture figures such as Lana Del Rey, Grindr, and Peter Pan. Zoa world-builds a fourth-dimension, lives in the cyberspace, and survives in NDN-time – they have learned to sing the skin back onto their bodies and remain #woke at the end of the world. “Do not read me as a vanished ndn,” they ask, “read me as a ghastly one.”


Patricia Highsmith's story of romantic obsession may be one of the most important, but still largely unrecognized, novels of the twentieth century. First published in 1952 and touted as "the novel of a love that society forbids," the book soon became a cult classic. Based on a true story plucked from Highsmith's own life, The Price of Salt (or Carol) tells the riveting drama of Therese Belivet, a stage designer trapped in a department-store day job, whose routine is forever shattered by a gorgeous epiphany—the appearance of Carol Aird, a customer who comes in to buy her daughter a Christmas toy. Therese begins to gravitate toward the alluring suburban housewife, who is trapped in a marriage as stultifying as Therese's job. They fall in love and set out across the United States, ensnared by society's confines and the imminent disapproval of others, yet propelled by their infatuation.

“Skim” is Kimberly Keiko Cameron, a not-slim, would-be Wiccan goth who goes to a private girls’ school. When her classmate Katie Matthews is dumped by her boyfriend, who then kills himself because he was (maybe) gay, the entire school goes into mourning overdrive. It’s a weird time to fall in love, but that’s what happens to Skim when she starts meeting secretly with her neo-hippie English teacher, Ms. Archer. When Ms. Archer abruptly leaves the school, Skim has to cope with her confusion and isolation. Her best friend, Lisa, tries to pull her into “real” life by setting up a hilarious double-date for the school’s semi-formal, and Skim finds an unexpected ally in Katie.

Sophie Labelle is the French-Canadian author of Serious Trans Vibes / Assigned Male comics, which she has been drawing since 2014. 

She is also the author of several children's books and novels, as well as a public speaker. She gives talks and lectures to a large array of audiences, from kindergarten groups to university students.

Mucus in My Pineal Gland is the debut collection of artist and writer Juliana Huxtable. Gathering for the first time, poems, performance scripts, and essays, this startling new book expands Huxtable’s critique of gender, sexuality, politics, whiteness, and history while establishing her as a singular poetic voice.


On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family’s history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We’re Briefly Gorgeous is as much about the power of telling one’s own story as it is about the obliterating silence of not being heard.

First masculine, then feminine, Orlando begins life as a young sixteenth-century nobleman, then gallops through the centuries to end up as a woman writer in Virginia Woolf's own time. Written for the charismatic, bisexual writer Vita Sackville-West, this playful mock biography of a chameleon-like historical figure is both a wry commentary on gender and, in Woolf's own words, a 'writer's holiday' which delights in its ambiguity and capriciousness.

With unflinching honesty and moving prose, Janet Mock relays her experiences of growing up young, multiracial, poor, and trans in America, offering readers accessible language while imparting vital insight about the unique challenges and vulnerabilities of a marginalized and misunderstood population. Though undoubtedly an account of one woman’s quest for self at all costs, this New York Times bestseller is a powerful vision of possibility and self-realization, pushing us all toward greater acceptance of one another—and of ourselves—showing as never before how to be unapologetic and real.

In Beyond the Gender Binary, poet, artist, and LGBTQIA+ rights advocate Alok Vaid-Menon deconstructs, demystifies, and reimagines the gender binary. Pocket Change Collective is a series of small books with big ideas from today’s leading activists and artists. In this installment, Beyond the Gender Binary, Alok Vaid-Menon challenges the world to see gender not in black and white, but in full color. Taking from their own experiences as a gender-nonconforming artist, they show us that gender is a malleable and creative form of expression. The only limit is your imagination.


As the gay mainstream ironically prioritizes the attainment of straight privilege over all else, it drains queer identity of any meaning, relevance, or cultural value. That's Revolting shows us what the new queer resistance looks like. Edited by the instigator of San Francisco's Gay Shame and with contributions from the likes of Charlie Anders, Patrick Califia, and Carol Queen, the collection challenges the commercialized, commodified, and hyper-objectified view of gay/queer identity projected by the mainstream media by exploring queer struggles to transform gender, revolutionize sexuality, and build community outside of traditional models. It is both a blueprint and a call to action, bringing the post-identity politics of a new generation of pissed-off queers to a wider audience. Now revised and updated.

The first words of Jeffrey Eugenides exuberant and capacious novel Middlesex take us right to the heart of its unique narrator: “I was born twice: first, as a baby girl, on a remarkably smogless Detroit day in January of 1960; and then again, as a teenage boy, in an emergency room near Petoskey, Michigan, in August of 1974.”

Jacob’s debut book: a heart-wrenching, eye-opening, and giggle-inducing memoir about what it's like to grow up not sure if you're (a) a boy, (b) a girl, (c) something in between, or (d) all of the above.

The remarkable first novel by a young, gay, black author who fashioned a deeply moving and compelling coming of age story out of the highly controversial issues of bisexuality and AIDS. Law school, girlfriends, and career choices were all part of Raymond Tyler’s life, but there were other, more terrifying issues for him to confront. Being black was tough enough, but Raymond was becoming more and more conscious of sexual feelings that he knew weren’t “right.” He was completely committed to Sela, his longtime girlfriend, but his attraction to Kelvin, whom he had met during his last year in law school, had become more than just a friendship.